Power Components
Q104 MIDI Interface
Q105 Slew Limiter
Q106 Oscillator
Q107 Filter
Q108 Amplifier
Q109 Envelope Generator
Q110 Noise Source
Q111 Pan/Fade
Q112 4-Channel Mixer
Q113 8-Channel Mixer
Q115 Reverb
Q116 Ring Modulator
Q117 Sample & Hold
Q118 Instrument Interface
Q119 Sequencer
Q120 Connector Interface
Q121 Banana Jack Interface
Q122 Mini Jack Interface
Q123 Standards
Q124 Multiples
Q125 Signal Processor
Q127 Fixed Filter Bank
Q128 Switch
Q130 Clipper & Rectifier
Q131 Blank Panels
Q138 Logo Panel
Q140 Fixed Filter Bank Aid
Q141 Oscillator Aid
Q142 Pedal Interface
Q143 Presets
Q146 Normalization
Q147 Distributor
Q149 Signal Selector
Q150 Tran Ladder Filter
Q161 Oscillator Mixer
Q162 Filter Mixer
Q171 Quantizer Bank
Q172 Quantizer Aid
Q960 Sequential Controller
Q961 Sequencer Interface
Q962 Sequential Switch
Q963 Trigger Bus
John Mitchell was raised in a house where the sound of many different musical styles blended with squawks and bleeps from his father's ham radio shack, so an interest
in electronic music was inevitable. Before pursuing a career in electronics and publishing many articles on analog and digital signal processing, Mitchell designed, built
and even managed to sell his own electronic musical instruments. (Now that he has found his 'dream synth' at Synthesizers.com, he says he may never pick up
a soldering iron again.) Mitchell's musical training includes accordion and classical pipe organ, and he owns an extensive collection of electronic music records and
literature gathered since 1968. His heroes of the genre include W. Carlos, Morton Subotnick, Isao Tomita, Hans Wurman and, of course, R.A. Moog.
Bottle Tune (1.1m)
Fahrenheit 440Hz(4.2m)
Aleatoric Contest Winner
Sadly, in July 2004, John's life was cut short by an accident. He will be sorely missed.