Power Components
Q104 MIDI Interface
Q105 Slew Limiter
Q106 Oscillator
Q107 Filter
Q108 Amplifier
Q109 Envelope Generator
Q110 Noise Source
Q111 Pan/Fade
Q112 4-Channel Mixer
Q113 8-Channel Mixer
Q115 Reverb
Q116 Ring Modulator
Q117 Sample & Hold
Q118 Instrument Interface
Q119 Sequencer
Q120 Connector Interface
Q121 Banana Jack Interface
Q122 Mini Jack Interface
Q123 Standards
Q124 Multiples
Q125 Signal Processor
Q127 Fixed Filter Bank
Q128 Switch
Q130 Clipper & Rectifier
Q131 Blank Panels
Q138 Logo Panel
Q140 Fixed Filter Bank Aid
Q141 Oscillator Aid
Q142 Pedal Interface
Q143 Presets
Q146 Normalization
Q147 Distributor
Q149 Signal Selector
Q150 Ladder Filter
Q161 Oscillator Mixer
Q162 Filter Mixer
Q171 Quantizer Bank
Q172 Quantizer Aid
Q960 Sequential Controller
Q961 Sequencer Interface
Q962 Sequential Switch
Q963 Trigger Bus
Scott Gibbons utilizes both natural acoustic phenomena and audio technology to create simple yet
astonishing sonic events. Praised as "master of the sub-bass" by the Wire Magazine, Gibbons' compositions
frequently make use of silence and inaudible frequencies. His electro-acoustic recordings and multi-media
performances are designed to make unusual sensations appear commonplace, and familiar sounds are contrapositioned
to seem startlingly alien by contrast. Collaborators include Societas Raffaello Sanzio (Genesi: from the Museum
of Sleep), Mark Spybey (Zoviet-France), and Golan Levin (Telesymphony).
"Gibbons' tendency to understatement is extraordinary. What he shows us seems to be... not the event itself, but
the trail."
- The Wire (UK)
"Lilith's music is conceived from the standpoint of simplicity and resourcefulness, with Gibbons' artful
approach to the musical potential of mundane objects and only very minimal production trickery substituted for
industrial/noise music's curt, often messy impudence."
- All Music Guide
Synth list includes Synthesizers.com and MOTM modular, Jupiter 6, Prophet 5, Odyssey, Nord Modular, Pro-1, DK600, DX7, e64, Z1, homemade analog performance tools, and more.
Email: scott.gibbons@mindspring.com
Website: http://www.red-noise.com
Website: http://www.strawberryplanet.org
BTW - I had some great success with my latest project for theatre (Romeo Castellucci's "Du cycle de la Tragedia Endogonidia : A. #02"), and the core of my system was the Q118. I had a bunch of microphones on stage, and which the actors wore, and routed the signal every which direction... Even controlling a Nord Modular with the Q118 for one effect. Got a lot of head-scratching from the people who walked over to my station after the shows, when they were greeted by a bunch of cables and knobs :-) High five!!
best,
- Scott